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		<guid isPermaLink="false">http://musicglossary.wordpress.com/?p=14</guid>
		<description><![CDATA[Tivre augmented note. That classification system for the Indian scales, invented by Bhatkande Theka phrase of bols exposing the rhythmic cycle of a tal. Tillana (carnatic) Dance song. Thumri (hindustani) classical form of indian music linked to the danced expression of desire and to the cult of Krishna Tihai short phrases played three times, ending [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musicglossary.wordpress.com&amp;blog=5628971&amp;post=14&amp;subd=musicglossary&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Tivre </strong> augmented note.<br />
<strong>That </strong> classification system for the Indian scales, invented by Bhatkande<br />
<strong>Theka </strong> phrase of bols exposing the rhythmic cycle of a tal.<br />
<strong>Tillana </strong> (carnatic) Dance song.<br />
<strong>Thumri</strong> (hindustani) classical form of indian music linked to the danced expression of desire and to the cult of Krishna</p>
<p><strong><br />
Tihai </strong> short phrases played three times, ending on the first beat of the rhythm cycle.<br />
<strong>Toda</strong> Fast runs and repeated note passages (instrumental music).<br />
<strong>Tora </strong> see Toda<br />
<strong>Trivat </strong> (hindustani) similar to tarana but composed with pakhawaj bols.<br />
<strong>Tukhada</strong> see Tukhda<br />
<strong>Tukhda</strong> (hindustani) small rhythmic phrase of 4 beats used by khyal percussionist.<br />
<strong>Taan</strong> Musical notes rendered with speed weaving different patterns.<br />
<strong>Taan Pradhan </strong> Prominence of taans.<br />
<strong>Taan Samrat </strong> A title awarded to musicians who excel in the rendering of taans.<br />
<strong>Tabla </strong> A pair of drums, the treble is played by the right hand while the left hand plays the bass.<br />
<strong>Tala</strong> Rhythm &#8211; cycle containing a particular number of beats.<br />
<strong>Talim </strong> Training, process of learning / teaching.<br />
<strong>Tanpura</strong> A drone instrument , usually of four strings and is commonly used by vocal musicians.<br />
<strong>Tap Khayal </strong> A blend of Khayal and Tappa.<br />
<strong>Tappa </strong> A semi-art music developed in Punjab, created by Shori Mian &#8211; and later evolved into an intricate semi classical style with bol and taan thickly knitted at every possible step.<br />
<strong>Tarana </strong> Idiom / composition using musical syllables based on Persian and Arabic phonemes.<br />
<strong>Thaat </strong> 10 different sets of musical scales with seven primary notes in order of ascent and in sequence only to help categorise the maximum number of Hindustani ragas under it.<br />
<strong>Thumri</strong> Popular semi classical idiom.<br />
Trivat     Idiom / composition with three prominent features &#8211; sargam, bols of tabla and tarana.<br />
<strong>Tariff </strong> A standard charge for use of copyrighted works. Usually applies to fees paid by users of musical works and cable companies for the rebroadcast of programs.<br />
<strong>Trade-marks </strong> Words, symbols, designs (or a combination of these), used to distinguish the goods and services of one person or organization from those of others in the marketplace.<br />
<strong>Tablature </strong> A method of notation for string instruments. It usually indicates a tone with notation referring to the finger and string used to create it.<br />
<strong>Technology </strong> Tools used to create or compose music. In this course, technology refers to all composition tools, from pencil and paper to the latest audio and digital electronic equipment.<br />
<strong>Tempo</strong> The speed or pace of music; the use of slower and faster beats.<br />
<strong>Texture </strong> Various combinations of pitched sounds, unpitched sounds, or both. (See also harmony.)<br />
<strong>Theme And Variations </strong> A musical form in which the theme is repeated with alterations to its melody, harmony, rhythm, or texture.<br />
<strong>Timbre </strong> An element of expression referring to the character or quality of sound that distinguishes one instrument, voice, or sound source from another.<br />
<strong>Tone Poem </strong> A form of through-composed programmatic music in one movement. A tone poem follows a poetic line of thought as a means of compositional organization.</p>
<div id="_mcePaste" style="overflow:hidden;position:absolute;left:-10000px;top:0;width:1px;height:1px;">
<table style="border-collapse:collapse;width:581pt;" border="0" cellspacing="0" cellpadding="0" width="775">
<col style="width:92pt;" width="123"></col>
<col style="width:489pt;" width="652"></col>
<tbody>
<tr style="height:15pt;">
<td style="height:15pt;width:92pt;" width="123" height="20">Tivre</td>
<td style="width:489pt;" width="652">augmented note.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">That</td>
<td>classification system for the Indian scales, invented by Bhatkande</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Theka</td>
<td>phrase of bols exposing the rhythmic cycle of a tal.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tillana</td>
<td>(carnatic) Dance song.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Thumri</td>
<td>(hindustani) classical form of indian music linked to the danced   expression of desire and to the cult of Krishna</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tihai</td>
<td>short phrases played three times, ending on the first beat of the rhythm   cycle.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Toda</td>
<td>Fast runs and repeated note passages (instrumental music).</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tora</td>
<td>see Toda</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Trivat</td>
<td>(hindustani) similar to tarana but composed with pakhawaj bols.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tukhada</td>
<td>see Tukhda</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tukhda</td>
<td>(hindustani) small rhythmic phrase of 4 beats used by khyal   percussionist.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Taan</td>
<td>Musical notes rendered with speed weaving different patterns.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Taan Pradhan</td>
<td>Prominence of taans.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Taan Samrat</td>
<td>A title awarded to musicians who excel in the rendering of taans.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tabla</td>
<td>A pair of drums, the treble is played by the right hand while the left   hand plays the bass.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tala</td>
<td>Rhythm &#8211; cycle containing a particular number of beats.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Talim</td>
<td>Training, process of learning / teaching.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tanpura</td>
<td>A drone instrument , usually of four strings and is commonly used by   vocal musicians.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tap Khayal</td>
<td>A blend of Khayal and Tappa.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tappa</td>
<td>A semi-art music developed in Punjab, created by Shori Mian &#8211; and later   evolved into an intricate semi classical style with bol and taan thickly   knitted at every possible step.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tarana</td>
<td>Idiom / composition using musical syllables based on Persian and Arabic   phonemes.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Thaat</td>
<td>10 different sets of musical scales with seven primary notes in order of   ascent and in sequence only to help categorise the maximum number of   Hindustani ragas under it.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Thumri</td>
<td>Popular semi classical idiom.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Trivat</td>
<td>Idiom / composition with three prominent features &#8211; sargam, bols of tabla   and tarana.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tariff</td>
<td>A standard charge for use of copyrighted works. Usually applies to fees   paid by users of musical works and cable companies for the rebroadcast of   programs.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Trade-marks</td>
<td>Words, symbols, designs (or a combination of these), used to distinguish   the goods and services of one person or organization from those of others in   the marketplace.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tablature</td>
<td>A method of notation for string instruments. It usually indicates a tone   with notation referring to the finger and string used to create it.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Technology</td>
<td>Tools used to create or compose music. In this course, technology refers   to all composition tools, from pencil and paper to the latest audio and   digital electronic equipment.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tempo</td>
<td>The speed or pace of music; the use of slower and faster beats.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Texture</td>
<td>Various combinations of pitched sounds, unpitched sounds, or both. (See   also harmony.)</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Theme And Variations</td>
<td>A musical form in which the theme is repeated with alterations to its   melody, harmony, rhythm, or texture.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Timbre</td>
<td>An element of expression referring to the character or quality of sound   that distinguishes one instrument, voice, or sound source from another.</td>
</tr>
<tr style="height:15pt;">
<td style="height:15pt;" height="20">Tone Poem</td>
<td>A form of through-composed programmatic music in one movement. A tone   poem follows a poetic line of thought as a means of compositional   organization.</td>
</tr>
</tbody>
</table>
</div>
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		<title>V</title>
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		<pubDate>Wed, 10 Feb 2010 14:14:21 +0000</pubDate>
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		<description><![CDATA[Vadya brindam Orchestra, Melam Vaggeyakara Composer Vakra Irregular increase or decrease in pitch of the scale of the Raga Varik Style Music played by embellishing all note. Instead of single notes musical curves ae heard Varja Raga scale that do not contain all of the notes of the corresponding Mela Raga Vasu 8 th Chakra; [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musicglossary.wordpress.com&amp;blog=5628971&amp;post=12&amp;subd=musicglossary&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Vadya brindam</strong> Orchestra, Melam<br />
<strong>Vaggeyakara </strong> Composer<br />
<strong>Vakra </strong> Irregular increase or decrease in pitch of the scale of the Raga<br />
<strong>Varik Style</strong> Music played by embellishing all note. Instead of single notes musical curves ae heard<br />
<strong>Varja </strong> Raga scale that do not contain all of the notes of the corresponding Mela Raga<br />
<strong>Vasu </strong> 8 th Chakra; Melas 43 &#8211; 48<br />
<strong>Veda </strong> 4 th Chakra: Melas 19 &#8211; 24<br />
<strong>Venkatesha Pancharatna </strong> Five Krithis by Vina Kupayyar in praise of Sri Venkataeshwara<br />
<strong>Vidala </strong> Khanda Jati Ata Tala: |5  |5  O  O<br />
<strong>Vijayaraghava Pancharatna</strong> Five Padas composed by Kshetragna in honor of Patron Vijararaghava Naik of Tanjore<br />
<strong>Viloma krama </strong> Reverse order<br />
<strong>Vinayasa </strong> One of the Raga Lakshanas<br />
<strong>Virama</strong> Same as Anudruta(m)<br />
<strong>Visesha Sanchara</strong> A musical phrase/passage that is not in accordance with the Arohana and Avarohana but enriches the beauty of the Raga<br />
<strong>Visranti </strong> Period od rest in a musical composition<br />
<strong>Vivadi Swara</strong> Dissonant note<br />
<strong>Vusi    Visarjitam</strong> &#8211; wave of hand in reckoning tala<br />
<strong>Vyapaksharasa </strong> Vowels between the sahitya letters which enrich music effect<br />
<strong>Verismo </strong> A form of Italian opera beginning at the end of the 19th century. The setting is contemporary to the composer’s own time, and the characters are modeled after every day life.<br />
<strong>Vibrato </strong> Creating variation pitch in a note by quickly alternating between notes.<br />
<strong>Virtuoso </strong> A person with notable technical skill in the performance of music.<br />
<strong>Vivace </strong> Direction to performer to play a composition in a brisk, lively, and spirited manner.<br />
<strong>Voice </strong> One of two or more parts in polyphonic music. Voice refers to instrumental parts as well as the singing voice.<br />
<strong>Venerable Bede (673-735) </strong> Credited with earliest written reference to church bells in England.<br />
<strong>Voorslag (Forestroke) </strong> Flemish and Dutch for chime. Term applies both to the short automatically produced tune on the divisions of the hour and preceding the striking of the hour and to the set of bells themselves. Englishchime; GermanGlockenspiel; Frenchcarillon; Dutchklokkens<br />
<strong>Vichitra Vina </strong> An instrument similar to rudra vina except that it has no frets. It is played with a slide in a manner similar to a Hawaiian guitar.<br />
<strong>Vadi </strong> The important note of a rag.<br />
<strong>Vakra </strong> The usage of notes in an oblique fashion.<br />
<strong>Varan Tal </strong> An obscure tal of eight beats.<br />
<strong>Varanabhina Tal </strong> An obscure tal of eight or 16 beats.<br />
<strong>Varanamanthika Tal </strong> An obscure tal of 20 beats.<br />
<strong>Vardhan Tal </strong> An obscure tal of 19 beats.<br />
<strong>Vasant Shikhir Tal </strong> See Basantshikhir tal.<br />
<strong>Venu </strong> A south Indian flute.<br />
<strong>Vibhag </strong> The measure or &#8220;bar&#8221;.<br />
<strong>Vijay Tal </strong> An obscure tal of 20 beats.<br />
<strong>Vikshep </strong> (Archaic) A style of silent timekeeping (marg nishabd kriya).<br />
<strong>Vikshipt </strong> (Archaic) A style of silent timekeeping (deshi nishabd kriya).<br />
<strong>Vilambit </strong> Slow tempo.<br />
<strong>Vimohi Tal </strong> An obscure tal of 13 beats.<br />
<strong>Vina </strong> 1) Any stringed instrument. 2) The saraswati vina of south India.<br />
<strong>Vinaya </strong> Humility, said to be a prerequisite for discipleship.<br />
<strong>Virbhadra Tal</strong> An obscure tal of 25 beats.<br />
<strong>Virpanch Tal </strong> An obscure tal of 20 beats.<br />
<strong>Visarjit </strong> (Archaic) A style of silent timekeeping (deshi nishabd kriya).</p>
<p><strong>Visham Grah </strong> 1) The process of hiding or deemphasizing the sam. 2) Anarchaic term referring to the start of the percussion on something other than sam (das pran).<br />
<strong>Visham Tal </strong> An obscure tal of 18 beats.<br />
<strong>Visham Yati </strong> An ancient rhythmic form which is constructed so that the changes in tempo are calculated to avoid the structure of the tal. Therefore, the structure of the tal is consciously hidden.<br />
<strong>Vishnu</strong> The preserver (i.e., God).<br />
<strong>Vishnu Digambar Paddhati </strong> A notational system developed by Vishnu Digambar Paluskar.<br />
<strong>Vishnu Digambar Paluskar </strong> A famous Indian musicologist.<br />
<strong>Vishnu Narayan Bhatkhande </strong> A famous Indian musicologist.<br />
<strong>Vishnu Tal </strong> An obscure tal of 17 or 36 beats.<br />
<strong>Vishva Ta</strong>l      An obscure tal of 13 beats.<br />
<strong>Vitat </strong> A bowed, string instrument (e.g., violin, dilruba, sarangi, etc.)<br />
<strong>Vivadi </strong> A note which is not allowed in a rag.<br />
<strong>Variation </strong> music intended as a varied version of some previously stated piece<br />
<strong>Verse </strong> section of a song; each time it reoccurs the words are different<br />
<strong>Vocal Sounds </strong> using the voice to produce sounds eg. clicking, onomatopoeic effects, yelling, chanting, singing<br />
<strong>Vadya Or Vadyam</strong> musical instruments (mainly percussion) in Kerala<br />
<strong>Vaisnava </strong> Hindu belief system focused on god vishnu<br />
<strong>Valantala </strong> left side (bass) of the chenda drum<br />
<strong>Veliccapatu </strong> possession medium<br />
<strong>Vigraham </strong> the moveable icon, portable replica<br />
<strong>Vilakkumadam</strong> structure for oil lamps, fixed to the nalambalam<br />
<strong>Villu </strong> musical bow beaten with a stick<br />
Vishnu    Hindu god<br />
<strong>Variation </strong> a musical device that involves a recurring idea with one or more of its musical elements altering, such as pitch, rhythm, or tone colour<br />
<strong>Voicing </strong> a particular arrangement of the notes in a chord, producing a distinct tonal colour<br />
<strong>Valve </strong> the device on a brass instrument that, indicated by the player&#8217;s finger, determines the flow of air in the instrument and the amount of tubing that the air flows through<br />
<strong>Variation </strong> a varied version of a previously heard theme<br />
<strong>Virtuoso </strong> an extremely technically accomplished performer/musician</p>
<p><strong>Vamp </strong> A short sequence of chords that is repeated over and over again<br />
<strong>Verse </strong> An introduction to a show tune that serves as a transition between the dialogue and the song form<br />
<strong>Vibraharp </strong> See vibraphone<br />
<strong>Vibraphone </strong> A pitched percussion instrument in which metal bars are struck by mallets and tubular resonators help to amplify the sound. The resonators contain rotating disks that create vibrato.<br />
<strong>Vibrato</strong> A slight wavering in pitch<br />
<strong>Violin </strong> A stringed instrument in which strings are drawn with a box or plucked in order to produce sound<br />
<strong>Vocalese</strong> A technique in which lyrics are written for an existing recorded solo<br />
<strong>Vadi </strong> The predominant note of the raga<br />
<strong>Vichitra veena</strong> hindustani plucked string instrument, of the family of the been<br />
<strong>Vilambit</strong> Slow lay<br />
<strong>Vistar </strong> Improvisation or elaboration of melodic or rhythmic ideas.<br />
<strong>Vinyas</strong> (hindustani) a note in a scale where the musician should not end or stop, from a classification system older than the vadi-samvadi sytem<br />
<strong>Vinyasa </strong> see Vinyas</p>
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		<title>W</title>
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		<pubDate>Wed, 10 Feb 2010 13:58:34 +0000</pubDate>
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				<category><![CDATA[W]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[american]]></category>
		<category><![CDATA[cool]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dancing]]></category>
		<category><![CDATA[dead]]></category>
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		<category><![CDATA[formal]]></category>
		<category><![CDATA[instrument]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[love song]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[modernpulse]]></category>
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		<description><![CDATA[Waiata a Māori song; more specifically, laments for the dead (waiata tangi) or love songs (waiata aroha or waiata whaiaipo); modern action songs may be called waiata-a-ringa (literally &#8220;hand&#8221; songs) or waiata kori, and their tunes are not necessarily Māori in origin Whakarongo to listen Waltz A dance written in triple time, where the accent [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musicglossary.wordpress.com&amp;blog=5628971&amp;post=9&amp;subd=musicglossary&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Waiata </strong> a Māori song; more specifically, laments for the dead (waiata tangi) or love songs (waiata aroha or waiata whaiaipo); modern action songs may be called waiata-a-ringa (literally &#8220;hand&#8221; songs) or waiata kori, and their tunes are not necessarily Māori in origin<br />
<strong>Whakarongo </strong> to listen<br />
<strong>Waltz </strong> A dance written in triple time, where the accent falls on the first beat of each measure.<br />
<strong>Whole note </strong> A whole note is equal to 2 half notes, 4 quarter notes, 8 sixteenth notes, etc.<br />
<strong>Wholetone scale </strong> A scale consisting of only wholetone notes. Such a scale consists of only 6 notes.<br />
<strong>Waiata </strong> a Māori song; more specifically, laments for the dead (waiata tangi) or love songs (waiata aroha or waiata whaiāpo); modern action songs, which may be called waiata-ā-ringa (literally &#8220;hand&#8221; songs) or waiata kori and have tunes that are not necessarily Mā<br />
<strong>Waiata poi </strong> songs that are sung while swinging poi<br />
<strong>Waiata pōwhiri</strong> formal welcome songs<br />
<strong>Waiata tīrakau </strong> songs that are sung while dancing with wooden sticks<br />
<strong>Wairua </strong> soul, spirit<br />
<strong>Walking </strong> A bass line that consists mostly of quarter notes to outline the pulse<br />
<strong>West Coast Jazz </strong> Cool jazz, particularly performances that create harmony through counterpoint among melody instruments as opposed to the use of chordal instruments<br />
<strong>Woodwind </strong> A family of wind instruments in which the vibrations that cause sound occur on or within the instrument<br />
<strong>Work Song</strong> A song used by black American slaves</p>
<div id="_mcePaste" style="overflow:hidden;position:absolute;left:-10000px;top:792px;width:1px;height:1px;">Waiata    a Māori song; more specifically, laments for the dead (waiata tangi) or love songs (waiata aroha or waiata whaiaipo); modern action songs may be called waiata-a-ringa (literally &#8220;hand&#8221; songs) or waiata kori, and their tunes are not necessarily Māori in origin<br />
Whakarongo    to listen<br />
Waltz     A dance written in triple time, where the accent falls on the first beat of each measure.<br />
Whole note     A whole note is equal to 2 half notes, 4 quarter notes, 8 sixteenth notes, etc.<br />
Wholetone scale     A scale consisting of only wholetone notes. Such a scale consists of only 6 notes.<br />
Waiata    a Māori song; more specifically, laments for the dead (waiata tangi) or love songs (waiata aroha or waiata whaiāpo); modern action songs, which may be called waiata-ā-ringa (literally &#8220;hand&#8221; songs) or waiata kori and have tunes that are not necessarily Mā<br />
Waiata poi    songs that are sung while swinging poi<br />
Waiata pōwhiri    formal welcome songs<br />
Waiata tīrakau    songs that are sung while dancing with wooden sticks<br />
Wairua    soul, spirit<br />
Walking    A bass line that consists mostly of quarter notes to outline the pulse<br />
West Coast Jazz    Cool jazz, particularly performances that create harmony through counterpoint among melody instruments as opposed to the use of chordal instruments<br />
Woodwind    A family of wind instruments in which the vibrations that cause sound occur on or within the instrument<br />
Work Song    A song used by black American slaves</p>
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		<title>Hello world!</title>
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		<pubDate>Mon, 24 Nov 2008 11:46:17 +0000</pubDate>
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			<content:encoded><![CDATA[<p>Welcome to <a href="http://wordpress.com/">WordPress.com</a>. This is your first post. Edit or delete it and start blogging!</p>
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